Google Links

Follow the links below to find material targeted to the unit's elements, performance criteria, required skills and knowledge

Elements and Performance Criteria

  1. Clarify lyric-writing requirements
  2. Develop lyrical elements
  3. Develop networks to promote own work

Required Skills

Required skills

communication and teamwork skills sufficient to

discuss songwriting requirements in a collaborative manner

respond positively to constructive feedback on own work

literacy skills sufficient to

read and interpretlyricwriting resources

write lyrics

initiative and enterprise skills in the context of

applying original and creative approaches to lyric writing

experimenting with writing techniques to produce lyrics that meet specific purposes

planning and selfmanagement skills sufficient to

meet deadlines

develop and maintain a network of professional contacts

learning skills sufficient to

acquire and use information appropriate to writing song lyrics

continuously evaluate and adjust own written work

Required knowledge

music literacy

musical styles

song structures

standard melody conventions

basic composition processes and notation

lyricwriting techniques

meter

rhyme

story telling

process for collaborating with performers and recording personnel to make music demos

cultural protocols appropriate to the purpose of songs

issues and challenges that typically arise in the context of writing song lyrics

Evidence Required

The Evidence Guide provides advice on assessment and must be read in conjunction with the performance criteria required skills and knowledge range statement and the Assessment Guidelines for the Training Package

Overview of assessment

Critical aspects for assessment and evidence required to demonstrate competency in this unit

Evidence of the ability to

write lyrics for at least four songs in two different musical styles

apply knowledge of song structures to the writing of lyrics

apply knowledge of copyright to songwriting activities

Context of and specific resources for assessment

Assessment must ensure

access to an environment where lyricwriting skills can be applied

access to range of appropriate lyricwriting resources

use of culturally appropriate processes and techniques appropriate to the language and literacy capacity of the candidate and the work being performed

Method of assessment

The following assessment methods are appropriate for this unit

case studies to assess ability to use writing techniques and rhyme patterns to convey meaning and create mood

direct observation of the candidate writing song lyrics

direct questioning combined with review of portfolios of evidence and thirdparty workplace reports of onthejob performance by candidate including authenticated samples of song lyrics with candidates selfevaluation

written or oral questioning or interview to test knowledge of lyricwriting techniques

Guidance information for assessment

Holistic assessment with other units relevant to the industry sector workplace and job role is recommended for example

CUFCMPA Implement copyright arrangements

CUFCMP301A Implement copyright arrangements

CUSMCPA Compose simple songs or musical pieces

CUSMCP301A Compose simple songs or musical pieces

CUSMLTA Apply knowledge of genre to music making

CUSMLT301A Apply knowledge of genre to music making

CUSMLTA Notate music for performance

CUSMLT303A Notate music for performance

CUSMLTA Analyse functional harmony

CUSMLT403A Analyse functional harmony.


Range Statement

The range statement relates to the unit of competency as a whole. It allows for different work environments and situations that may affect performance. Bold italicised wording, if used in the performance criteria, is detailed below. Essential operating conditions that may be present with training and assessment (depending on the work situation, needs of the candidate, accessibility of the item, and local industry and regional contexts) may also be included.

Relevant personnel may include:

composer

band member

performer

client

producer

marketing and promotions personnel

artist's agent

tutor

mentor.

Purpose of lyrics may be for:

specific piece of music

specific artist

band

ensemble

music theatre

own personal development

corporate purposes

cultural purposes

marketing and promotion

educational purposes

special communities

special occasions

public and/or religious ceremonies

audio or video recordings for online products or interactive games.

Format may be:

paper-based

computer-based

recorded.

Lyric-writing resources may include:

documented events and facts

existing texts

literary, poetic and creative writing material

media

rhyming dictionaries

thesauruses.

Musical styles may include:

classical

contemporary:

blues

folk

gospel

country

electronic

heavy metal

hip hop

industrial

pop

punk

rap

reggae

rock

R&B

soul funk

emo

jazz:

contemporary

cool school

easy listening

fusion

swing

tin-pan alley

traditional.

Writing techniques may include:

meter

contrast

word associations

allegory

analogy and association

form

hyperbole

irony

metaphor

motif

onomatopoeia

oxymoron

paradox

personification

repetition

simile

symbolism.

Rhyme patterns may include:

masculine

feminine

dactylic

syllabic

imperfect

semirhyme

oblique

assonance

consonance

half rhyme

alliteration

sight or eye rhyme

tail

internal.

Song structures may include:

introduction

verses

pre-chorus

chorus

bridge

collision

vocal runs

instrumental solo

outro

ad lib

catchy melodic phrase or rhythm

hook, e.g. a lyric line

relationship/contrast between chorus and verse.

Song formats may include:

ballads

list songs

patter songs

answer songs

hymns

choral.

Knowledge of copyright must include:

royalty entitlements, such as from:

sale of recordings

broadcasting, including radio, internet or television

use of songs in movies, e.g. royalties from the sale of the soundtrack album

role of Australasian Performing Rights Association (APRA)

sharing song royalties, e.g. with other band members

correct format for copyright notices:

copyright symbol, followed by the name of the copyright owner and the year of first publication

for sound recordings, the letter P (for phonogram) in a circle or in brackets is used.

Networks may include:

performers

composers

media outlets:

radio

television

internet

dance clubs and other music venues

DJs

music publishers

aggregators.